The end of the story..

Endings are tricky for me. When I get to the end of telling a story, I can feel quite uncomfortable, and I'm never really sure whether to just pause, or to say something like 'And that's the end of the story' or 'And they all lived happily ever after'.When we're using stories for language teaching (or indeed for any other purpose) that could be all that is necessary of course; we could just leave the story to do its work on its own.

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In search of an audience

Usually when I write this weekly blog post I share it first with the various Palestinian teacher and teacher trainer groups that I belong to on Facebook, before sharing it elsewhere. I do this because it is this kind of audience that this blog is intended for. I want this to be a space where teachers who work in contexts like these can get new ideas, where they can download resources, and where they can discuss and share ideas about what happens in their own classes.

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The spaces in between

Two weeks ago I wrote a post called 'The Game of Jewels' about the strength of activities like Kim's Game, which emphasise the importance of noticing and retrieval. I said that most of my favourite things to do in class are really just adaptations of Kim's Game so, as promised, here's a version which uses the same principles, but which is more suited to teenage learners.

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Drama with a small 'd'

Sometimes when we think of drama we think of Shakespeare, or we think of complex archaic language, or we think of struggling to feel the motivation for a particular line, or if, like me, you went to primary school in Britain in the 1970's, you may think of standing for what seemed like hours and being a tree!But drama as a tool for teaching English as a foreign language to young learners can be a much more straightforward and down-to-earth matter.

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And the moral of the story is....?

As human beings we are programmed to make sense of the world around us through stories. In some format or other, telling or listening to stories is a principle part of the way we interact with others on a daily basis. Because of this, in homes and more formal educational settings alike, stories have been used to teach things to children since the beginnings of human speech, and all of the major religions of the world have used stories and storytelling as a way to put complex ideas into a format which is simple, accessible and inherently memorable.

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From emergence to resurgence

With rather limited success, I've been trying to learn Levantine Arabic, and over the past year I've probably had about ten one-to-one classes with a Jordanian friend who lives here in Totnes. Saif is an excellent teacher. One thing I particularly like is that he allows me as the learner to control the content of what we talk about in the classes, whilst he supplies me with the language I need to express the things I want to say.

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Rhythm helps your two lips move

One thing about chanting is that is encourages use of connected speech: it challenges learners to speak in chunks, rather than in isolated words. This is a central idea of the Lexical Approach. When chanting words flow into each other, and pauses occur naturally between chunks of language, rather than after each word (as often occurs in the speech of beginners).

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Secure Listening

I've just come back from a very fulfilling week in Occupied Palestine, running a course called, Teaching English through Stories with a group of teachers from Gaza, Hebron and Ramallah. We worked with big story books for young learners which are part of the British Council's Kids Read programme, and also with the Stories Alive material for slightly older learners.Throughout the course the participants planned and delivered a range of micro-teaching sessions which incorporated stories into their curriculum. They did this in ways that were engaging, creative and, above all, fun.

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Picture Dictations

Last week I was looking at how talking with children about the pictures they've drawn can be a useful thing to do in a classroom. This week I want to explore a slightly more structured activity which works with this idea.The picture dictation has become a classic language teaching activity. I can't remember where I first heard about but I've been using it ever since I first started teaching more than 25 years ago.

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Every story paints a picture

In the course of my career, I've been lucky enough to observe a vast number of language teachers in many different contexts, and many of the things that I do as a teacher, or teacher trainer, are things that I learnt whilst watching other teachers at work. This week I want to explore a very simple but effective activity for working with young learners, which I first saw when observing Maha Sharba’s class at the Arabic club for kids in London.

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Every picture tells a story

Kamishibai, literally ‘paper theatre’, is a form of storytelling that originated in Ancient Japan. It became very popular in the twentieth century when the Kamishibai man would travel around on his bicycle with a set of brightly coloured images to go with each of his stories. As he told the story to groups of eager children, he would show the pictures that went with it, one by one.

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Student thinking time

Here’s a vocabulary game that I did with the kids in Jabalia a couple of weeks ago. I chose six different lexical sets that they would find in their coursebook (food and drink, things you’d find in a living room, clothes, fruit and vegetables, animals and things you’d find in a classroom) and wrote down five words for each set on separate slips of paper. The girls’ team and the boys’ team took it in turns to send one person up to the front. This person chose one of the lexical sets and then had a minute to try to guess the five words that I’d written down.

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