The Hands Up Project recently announced the winners of the Remote Theatre Competition, a major event in the lives of teachers and young people from Palestine and around the world.

This year's competition was based on a set of short, one-act plays that explore social and political issues. The plays were taken from the recently published book "Doing Remote Theatre" by Nick Bilbrough. This book is a collection of more than 20 plays that were written specifically for remote performance by some of the most respected names in literature, theater, and English language teaching. I highly recommend this book to anyone who is looking for inspiring and engaging plays that can be performed remotely.

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As with the previous unit, the theme is potentially interesting and engaging for young people, and you would expect the opportunities for intercultural dialogue in our online link-ups to be very good. This potential was made even greater by the fact that the three weeks that we worked with this material were exactly when the 2022 World Cup in Qatar was happening and many of the young people in Palestine, as well as the teachers and me, were watching it avidly. Throughout the whole period there was lots of unplanned chat around who was doing well in the World Cup and which teams students wanted to win.

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We were fortunate having this unit as a starting point for our weekly online zoom link-ups. It seemed very universal in its theme but also to have the potential for some interesting cross-cultural dialogue, since what is considered healthy isn’t entirely the same amongst different communities around the world. The unit aims to teach vocabulary related to healthy or unhealthy diet and activities, as well as structures for giving advice (You’d better, Why don’t you, etc.) plus the present perfect continuous tense for repeated recent actions.

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English for Palestine, like most localised coursebooks all over the world, facilitates learning with familiar and easily accessible content. It’s also organised using broadly communicative principles and includes speaking tasks which are designed not only to activate specific areas of language but also to link these areas of language to the learners’ own lives through personalisation.

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A governmental school for teenagers in Gaza must surely be one of the most challenging places on Earth to teach English. Imagine working in an extremely cramped classroom (50 students to a class), with very limited resources, trying to teach English to young people who, almost without exception, have never left the tiny piece of land that is the Gaza strip, have very little hope of ever leaving, and have never had a real opportunity to use the English they are learning in any kind of meaningful way with someone from another country.

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For our poetry competition we’d like to invite young people all over the world to handwrite a poem of maximum fifty words which is inspired by one of these two paintings. We want you to write it by hand and also decorate the piece of paper in any way that you would like to. See for example how Angela from Spain has decorated her poem which was the winner of a competition we ran in 2020.

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Creating Intrigue

When people watch a Remote Play they want it to be food for thought, to be moved by it, to be so struck by some of the images it creates that they take those images away with them when the play is over.

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You’ll be pleased to know that we’re just about to launch the 2023 International Remote Theatre competition. To help get everyone ready for this, I’m republishing our Facebook live series - Top tips for lockdown theatre - here so that they’re all in one handy place.

i hope I’ve covered the essentials but if there is anything you think I’ve missed please add it in the comments below.

Remember too that our new digital version of Doing Remote Theatre is jam packed with advice about how to perform remote plays with learners of English.

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I’m not knocking it! I’ve done hundreds of presentations for teachers and hundreds of language classes for students where I’ve used powerpoint slides to back up or reinforce what I was saying. It’s a great tool of course!

And in fact, the main reason why we started using Zoom back in 2015 for our Hands up online storytelling sessions was because, unlike with Skype, you can share powerpoint slides of pictures from a story, at the same time as sharing your webcam of you telling the story (see below for example)

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